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Book Title: Extremely Loud & Incredibly Close|
The author of the book: Jonathan Safran Foer
Edition: Recorded Books
Date of issue: April 28th 2005
ISBN 13: 9781419328794
Format files: PDF
The size of the: 32.92 MB
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Reader ratings: 5.2
Read full description of the books:
There are books that affect me and then there are books that kill me. This falls in the latter. I cried on the couch, I cried on the bus, I cried at stoplights, I cried at work.. I cried more over this book than I did on the actual September 11th. Then I became upset that this piece of fiction could invoke such melancholia. Can I use the excuse of being in shock during the actual event? That it seemed like a movie?
I have no excuse.
Flash back: The second half of 1994, my then boyfriend and I living in the East Village, 23 years old and clueless. We were broke most of the time, not much into clubbing, so about 4 out of 7 nights we would walk. Never north.. only through the Village or SoHo and eventually our meandering would lead us to the Towers. No matter what path we’d take, it was our destination. I remember many nights sitting on this ratty red paint peeled bench staring across the river at Jersey, specifically the Colgate sign, and just talking about everything. Hours sped by and we’d drag our sorry asses back to the train and to our tiny apartment. I remember nights where I’d hug the side of Tower One, pressing against it and lift my head as far back as I could and stare up until the glass met the sky and I’d get so dizzy I’d stumble back. I remember the night that we decided to marry, I remember exchanging our vows leaning against the railing staring up, always up.
I haven’t been to New York in 13 years, I can’t even imagine a New York without those buildings.
There are 43 ‘Incrediblys’ and 63 ‘Extremelys’ within this book. Does anyone really ever use those adverbs anymore? Is anything ever extreme or incredible enough for us? My daughter has taken to using ‘perfectly’ in almost every sentence and it brings a smile to my face each time.
The journey that the boy, Oskar, takes in this book is beautiful. The need to feel close to his father who died in the attacks, to spend just a bit more time with him. While Oskar is a bit unbelievable as a character, I felt that that was soon overshadowed by the images presented. I know I do this a lot in reviews, but I can’t help it: Lines like “Being with him made my brain quiet. I didn’t have to invent a thing.” or “ My insides don’t match up with my outsides.” and “It takes a life to learn how to live.”
I’m a sucker for a good line.
When Oskar is anxious he describes it as ‘wearing heavy boots’ and when his Grandmother likes something or in a good mood she uses the term ‘that was One Hundred Dollars’ and then there’s a whole mention of a ‘Birdseed shirt’ that I’m still unclear about but enjoy the imagery of.
But, this isn’t just Oskar’s journey.. this is also about Oskar’s grandparents and that piece is as strong as his story, sometimes stronger. I won’t go into that anymore, I’ll let you read about it.
Some have called this ‘gimmicky’ or ‘precious’ but I was truly moved by this story and combined with the images presented, it will stay with me for a very long time to come. As will 1994.
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Read information about the authorJonathan Safran Foer is the author of two bestselling, award-winning novels, Everything Is Illuminated and Extremely Loud and Incredibly Close, and a bestselling work of nonfiction, Eating Animals. He lives in Brooklyn, New York.
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