Read The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, Part 1 by Simon Schama Free Online
Book Title: The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, Part 1|
The author of the book: Simon Schama
Edition: Blackstone Audiobooks
Date of issue: August 1st 2007
ISBN 13: 9780786102303
Format files: PDF
The size of the: 670 KB
City - Country: No data
Loaded: 1785 times
Reader ratings: 4.6
Read full description of the books:
At first, reading about Holland Taylor might seem like déjà vu. He's a former cop turned private detective; he has an African American associate who covers his back, a high-level friend on the police force, and a smart lady who tries to keep him on the straight path. He also practices martial arts, brews exotic coffee, and favors a special brand of local beer. But author David Housewright isn't doing a Spenser rip-off; he's just having fun telling a good story while ringing a few changes on Robert Parker. Taylor works out of Minnesota's Twin Cities, a long way from Spenser's Boston, and Housewright's plot is as open-faced as his genial homage. Asked by his father to help an 85-year-old neighbor recover the life savings stolen from her by an oily investment counselor, Taylor uses a cross-dressing computer genius to harass the swindler. Things quickly turn nasty and lots of shots are fired--some are deadly. Housewright's Edgar Award-winning first book about Taylor, Penance, is available in paperback.
Download The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, Part 1 ERUB
Download The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, Part 1 DOC
Download The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, Part 1 TXT
Read information about the authorSimon Schama was born in 1945. The son of a textile merchant with Lithuanian and Turkish grandparents, he spent his early years in Leigh-on-Sea in Essex. When his parents moved to London he won a scholarship to Haberdashers’ Aske’s School where his two great loves were English and History. Forced to choose between the two he opted to read history at Christ’s College, Cambridge. Here he was taught by Sir John Plumb whose other students: Linda Colley, Roy Porter and John Brewer are now central to British historical thought. It was Plumb’s influence which instilled in him the importance of narrative and written style in order to gain an audience for history outside academia. One of the hallmarks of Schama’s work is his flair for description: ‘he gets arcane matters to walk, in fact dance, off the page’ according to fellow historian Peter Hennessy. However, his approach is contentious and invites criticism of subjectivity and populism from academic circles. Schama remained at Christ’s for 10 years after his degree, becoming a fellow and then director of Studies, before moving to Brasenose College Oxford. While at Oxford he wrote Patriots and Liberators: Revolution in the Netherlands 1780-1813 (1977), which won the Wolfson Literary Award, and Two Rothschilds and the Land of Israel (1979). At Oxford he met his wife, Ginny Papaioannou a geneticist from California.
Tired of the Oxford system (he once described his experience as being ‘like a gerbil on a treadmill’) and enticed by the freedom of US Academic life, he moved to America in 1980, becoming Professor of History at Harvard. Here he wrote The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age (1987), Citizens: A Chronicle of the French Revolution (1989) and Dead Certainties (Unwarranted Speculations) (1991): an a unusual linking of the death of General Wolfe at Quebec in 1759 and the murder of a doctor, George Parkman, by a Harvard Professor in 1849. Citizens, which was written at lightening speed: 900 pages in only 18 months, won the 1990 NCR Book Award. However, Schama’s emphasis on the terror and violence of the revolution and his argument, that from its beginning it was a ‘sacrament of blood’, ensured it has never found a publisher in France. He is now professor in history and art history at Columbia where he has written Landscape and Memory (1996) which received the W H Smith Literary Award and Rembrandt’s Eyes (1999). The latter is a controversial reassessment of the artist which attempts to reinstate the notion of Rembrandt the genius, aiming to invoke the atmosphere as well as the historical context. In Schama’s view, as he tells David D’Arcy in Art Newspaper ‘There are some passages of sublime reinvention for which history has absolutely no answers…it seems to me pointless and trivial to pretend that it does.’
Simon Schama has also worked for the BBC on a 16 part series: ‘A History of Britain’ and has been an art critic and cultural essayist for The New Yorker and Talk magazine. He lives in New York with his wife and their two children Chloe and Gabriel.